Becoming a Spring (2026) reverses my previous way of working. Performers inhabit the sculpture, they shape it, and in turn they are shaped by it. Rather than projecting outward, sound is absorbed into the body of the sculpture and travels through it, through the watery, marbled wood of the trees it was made from. The movement is slow and close to the ground.
Reclaimed wood from urban parks, luthiered ‘alien’ guitars. 180 × 180 × 25 cm.
